Completing Bach's Plan – Patrons: Paul McCreesh, Dame Gillian Weir

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The Orgelbüchlein Project is a major international composition project to complete J S Bach’s Orgelbüchlein (Little Organ Book).

The manuscript of Orgelbüchlein has 118 missing pieces, ghostly gaps with only the title penned by Bach. Each of these gaps will be filled by a new composition based on Bach’s intended melody. The new pieces, written by the most interesting composers at work today, will survey a range of modern styles.

 

PROJECT NEWS:

** Listen to the first German commission towards the Project, HERE: it is by Axel Ruoff, sponsored by the German Embassy in London.

**There are now fifteen different composers who have contributed to the Orgelbüchlein Community, ranging from a Doctor in Southern Russia to a retired British musicologist, to students at top Universities, to distinguished German Church Music Directors. At least five different nationalities are represented. Keep the compositions coming!**

** German Embassy sponsors the first German commission for the Project, by Axel Ruoff. World premiere – 16th November – see concert listings page**

**The John Hill Memorial Series 2015, four recitals by young rising star players at St Lawrence Jewry, London, will feature Orgelbüchlein Project pieces **

** Oundle Festival sponsors a piece by Francis Grier**

**Exeter College, Oxford to sponsor a piece from David Briggs for premiere in 2015**

**Edition Peters now due to publish the Gesamtorgelbüchlein**

**A trio of new commissions will be heard in the Clifton Festival, June 7th. They will be by David Matthews, David Bednall and Gareth Moorcraft**

**St John’s College Cambridge to sponsor four new commissions, for premiere in 2014-16**

** Royal College of Organists sponsor Bryan Kelly to write a piece, for performance at the 150th anniversary diploma ceremony, Southwark Cathedral, 8th March 2014**

**Forthcoming collaboration with The Clerks. Provisionally entitled ‘The Arnstadt Passion’, this vocal adventure will explore Bach’s time at Arnstadt, his relationship with chorales both sung and played, and how he fought against authority**

 

Video courtesy of London Film School

In partnership with the European Commission Representation in the United Kingdom

   

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